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Analog

I printed my recent 120 film images onto transparencies, both positive version and inverted. The transparencies were then layering, overlapped and created into small scale ( 8 x 10") works for contact prints in the darkroom.




Landscape Explorations

Images from travels to the West Coast
Double exposures from my Holga Camera using 120mm film



Work in Progress

Exploring abstraction with bodyscapes
Xerox copy collages from recent images then rephotographed and printed on transparencies.
Some experiments:






Studio Days

 I've been productive in the studio, new work coming soon...





Summer 2019

Studio days: 

Photographs printed on backlit film, layered/collaged. Preparing this work for a large lightbox from my Geographical Lore series. 






New Exhibition


Intersections: Here / There

Exhibition Dates:
February 7, 2019 – March 2, 2019
Reception Date:
Thursday, February 14, 2019 · 6:00 pm–9:00 pm
This exhibit, organized by Inliquid member and Philadelphia artist, Julianna Foster is based on photographic processes that relate to materiality, mark making, experimentation and using the medium of photography as source material. Works ranging from representation to abstraction through print material/objects and site-specific installation these seven artists, Roxana Azar, Veronica Corzo-Duchardt, Julianna Foster, Krista Svalbonas, Millee Tibbs, Claire Warden and Jennah White explore ideas of identity, personal history, human connection, place/location,  interpretations and interactions within and of the landscape. 

InLiquid @ The InLiquid Gallery in the Crane Building

Gallery Hours: Wednesday - Saturday, noon-6pm
1400 N American Street
Studio 108
Philadelphia, PA 19122








Geographical Lore

My most recent series (2018) Geographical Lore, which consists of a combination of two-dimensional images (framed photographs, broadsides, light-boxes) and three-dimensional objects (cut and manipulated inkjet prints, photos printed on aluminum and fabric), explore spatial relationships of figure/ground within a set of reconstructed desert and mountainous landscapes. This is—figuratively and literally—new terrain for me. Over the past year, I have begun to more deeply explore landscape and the role it plays in my work. I have challenged and developed my artistic process, using the photograph as a source material to create something altogether different from the direct photographic representation that I have pursued in the past—the manipulation of the landscape and, more generally, the photographic image, to create another way of seeing the subject.  For instance, etched glass on top of the photographic image and images printed on overlapping fabric loosely draped on the wall, create object-quality to the representation of the landscape. The new series, Geographical Lore, is made up of a combination of photographs of actual natural landscapes (forest, sea, desert), architecture (interior/exterior spaces) hand-made objects and fabricated environments (architecture and landscape). Within this series, some photographs are from my personal archive, others were shot specifically for Geographical Lore in areas where I have recently traveled like New Mexico and Nevada as well as forests/state parks along the east coast.





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Printing day

Testing some new work...


tonight / last night



Studio day

Exploring ideas of photo as object: creases, fold, tears in the paper, etched glass projections and then re-photographed.




To the Harbormaster, Frank O'Hara


9 layered stormy seas

The gorge

Photo experiments with a light table and layered negatives, tracing paper




To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present and to be fully present is to be capable of being in uncertainty and mystery. -Rebecca Solnit from a Field Guide to Getting Lost